“Shadowbands,” a contemplative, atmospheric composition inspired by 2017’s solar eclipse, features Stoffel accompanied by Gina Furtado (banjo), acclaimed Irish fiddler/violinist Niall Murphy, co-producer Josh Morrison on guitar, and longtime colleague Ross Sermons (upright bass).
“The musicians, whom I am honored to call very close friends of mine, all live scattered around the world, so we produced this video in an extreme socially-distanced fashion: Ross Sermons shot his bass part near Hobart, Tasmania; Niall Murphy, fiddle, posed for his part in South Armagh, Northern Ireland; and Gina Furtado, banjo, picked her scenic spot near her hometown of Winchester, Virginia. Josh, the guitarist, and I captured our parts in Alto Pass, Illinois,” Stoffel told The Bluegrass Situation. “It was a lot of fun to put together, both the recording and the video. I hope it shows.”
“You can find the specifics online,” Stoffel notes, “but in short, shadow bands are wavy light patterns that happen briefly before and shortly after totality. Like many of the phenomena associated with a solar eclipse, these happen on the ground, not in the sky, and they are truly amazing.”
About Mark Stoffel | Originally from Munich, Germany, Mark Stoffel spent literally decades traversing between two continents before finally settling down in Southern Illinois in 2001 with his wife Mary and his children, Finn and Oliver. Sealing his decision to make the United States his permanent home, he became a citizen in 2016.
A self-described bluegrass music “addict,” he was introduced to the music in 1979, when as a teenager, he wanted a ukulele for Christmas and was mistakenly given a mandolin instead. The flub turned into a virtue, as he parlayed a classic mandolin instructional book; occasional exposure to bluegrass through radio and concerts by touring American musicians; and accumulated experience in folk, rock and bluegrass bands into a lifelong artistic pursuit. During this time, he began to connect with American artists, helping to arrange tour dates and providing hospitality—including to the artist who would become his future employer, Chris Jones. As he spent more time in the United States, his tasteful approach to playing, growing expertise in sound engineering and supportive harmony vocal abilities earned him increased attention — first in regional acts, then with Jones’ singer/songwriter wife, Sally Jones, and finally with Jones himself, whose Night Drivers Mark joined around the time of the band’s 2009 recording, Cloud Of Dust.
Today his tasteful mandolin performances can be heard on countless recordings, including his first solo release, One-O-Five, and a string of Chris Jones and the Night Drivers projects, including Run Away Tonight (2015), Made To Move (2017) and the most recent, The Choosing Road (2019). “Mark is one of the most musical mandolin players I’ve ever played with,” says Jones. “ Mandolin players are really impressed with his playing everywhere we go.” Yet despite his passion for bluegrass, Stoffel confesses ironically that he is highly allergic to — yes, really — Kentucky Bluegrass.