SYNTAX ACADEMY

How to Define Your Target Audience as a Musician

You probably have an idea of who listens to your music.

But “people who like country music” or “women in their 20s” is not really a target audience.

Your target audience is the group of people most likely to connect with your music, story and overall brand. Understanding that audience can help you make better decisions about where to spend your marketing time, what kind of content to create and how to communicate with the people already paying attention.

The goal is not to manufacture an audience or change your music to fit one.

It is to understand the people who are already showing you that they care, then look for more people like them.

1. Start with yourself

You do not have to go very far to get started.

Think about the experiences, interests and ideas that influence your music. What keeps showing up in your songs? What parts of your story do listeners respond to? What communities are you naturally part of?

Often, the strongest fans recognize something of themselves in the artist.

That does not mean everyone listening to you will look like you, live where you live or have the same background. Still, understanding what drives your music can give you clues about why other people connect with it.

2. Analyze your music

Next, look at the music itself.

Consider your genre, influences, lyrical themes, sound and the other artists your music naturally fits beside.

Do not assume those things automatically tell you who your audience is. Instead, use them to form a starting hypothesis.

For example, an artist making traditional bluegrass and an artist making electronic dance music may begin with very different ideas about where their audiences spend time. The actual listener data may confirm those assumptions, challenge them or reveal an audience neither artist expected.

Similar artists can be especially helpful here. Look at who else your listeners enjoy, where those artists perform, how they communicate and which communities seem to gather around them.

You are not trying to copy somebody else’s audience.

You are looking for clues.

3. Learn the three basic types of audience information

When marketers talk about an audience, they usually look at several different kinds of information.

Demographics are basic characteristics such as age, gender and location.

Psychographics describe things such as interests, values, attitudes and lifestyle.

Behavioral information tells you what people actually do, such as streaming a song repeatedly, saving it, following you, buying tickets or interacting with your content.

Do not get so caught up in demographics that you miss the behavior.

A 24-year-old and a 54-year-old may look very different on a demographic chart and still love the same artist for exactly the same reason.

4. Analyze your actual data

This is where your assumptions start meeting reality.

Analytics are the data and measurements platforms give you about how people are finding and interacting with your music or content.

Use the information available through the services you already work with.

Spotify for Artists, Apple Music for Artists, Amazon Music for Artists, Pandora AMP and YouTube all provide different views into who is listening and where. Social platforms such as Facebook, Instagram and TikTok can also show you how people interact with your content.

Depending on the platform, you may be able to learn things such as:

  • which cities and countries are listening
  • the age ranges of your audience
  • how listeners are discovering your music
  • which songs or posts get the strongest response
  • which listeners keep coming back
  • what content earns comments, saves, shares or clicks

Look across several sources instead of allowing one number from one platform to define your entire audience.

If you want a broader view across multiple music platforms, our Academy article on using Chartmetric to understand artist data explains how aggregated music analytics can uncover audience, playlist and market patterns.

5. Ask real people

Data can tell you a lot, but it does not always tell you why something is happening.

Sometimes you should simply ask.

Talk to fans after shows. Read the comments people leave. Pay attention to questions that keep coming up. Use polls or surveys when you genuinely need more information.

If you have an email list, fan group or another community where people already interact with you, those can be especially useful places to listen.

You are looking for patterns, not one person’s opinion.

If ten people independently tell you the same thing about why they connect with a song, that is more useful than rebuilding your marketing strategy around one random comment.

6. Look for audience segments

Your target audience probably is not one giant group of identical people.

Audience segmentation means dividing a larger audience into smaller groups based on meaningful differences between them.

For example, you may discover that one part of your audience follows you because of your songwriting while another responds most to your live performances. You may have longtime listeners in one geographic market and newer listeners growing quickly somewhere else.

Those groups can need different things from you.

This does not mean creating a completely different personality for every audience segment. It means recognizing that different people may connect with different parts of what you already do.

7. Find out where those people spend their time

Knowing who your audience is becomes much more useful when you know where to reach them.

Look at which social platforms produce real interaction. Check where people are clicking through to your music. Notice which platforms feel active and which ones seem like you are talking to yourself.

Then put more effort where your audience and your own strengths overlap.

Our guide to choosing the right social media platforms goes deeper into deciding where your time actually makes sense.

8. Use what you learn

Defining your target audience is not useful if the information sits in a spreadsheet forever.

Use it when you decide:

  • where to advertise
  • which markets deserve more attention
  • what kind of social content to make
  • where a tour might make sense
  • which similar artists could be good collaborators
  • how to describe a release
  • where to spend a limited marketing budget

If you are spending money on social advertising, knowing your audience becomes especially important. Our guide to using social media ads without going broke explains how to put that information to work without simply throwing money at a campaign.

Your audience will change

You are not trying to solve this once and laminate the answer.

Your audience can change as you release more music, play different markets, reach new listeners and grow as an artist.

So keep paying attention.

Start with what you know about yourself and your music. Compare that with the data. Listen to the people who are actually responding. Then look for patterns.

The better you understand who is already connecting with your music, the easier it becomes to find more people who might connect with it too.

About The Author


Erin Moorman

Erin Moorman has a Bachelor of Science in Entertainment Industry Studies from Delta State University and a Master of Arts in Music Business from Visible Music College. In addition to her experience working for a record label she has already held an Adjunct Professor position teaching multiple music business classes.