Streaming subscriptions up 32% from 2018 to 2019?

April 6, 2020

Original story: Global Online Music Streaming Grew 32% YoY to Cross 350 Million Subscriptions in 2019 on Counterpoint

A new report from Counterpoint Research is plugging one of the knowledge gaps: the number of people subscribing to music services globally. It claims this figure grew by 32% in 2019 to 358 million people, and predicts that it will grow another 25% to 450 million by the end of 2020.

(To gauge the potential accuracy of Counterpoint’s estimates, we reverse-engineered that 32% growth claim, which suggests the company thought there were just over 271 million subscriptions at the end of 2018. The IFPI’s official figure for that year was 255 million.)

Counterpoint suggested that the growth was driven by “the availability of exclusive content like podcasts, originals which attracted people towards the platform and eventually turned them as subscribers” [sic] as well as “promotional activities like price cuts in subscriptions in emerging markets, bundled offers from telcos.”

The company has also made some estimates for market share among the major global streaming services, claiming that Spotify accounted for 35% of paid subscriptions, followed by Apple Music (19%), Amazon Music (15%), Tencent Music (11%) and YouTube Music (6%). That would suggest 125.3 million Spotify subscribers, then 68 million for Apple Music, 53.7 million for Amazon Music, 39.4 million for Tencent Music, and 21.5 million for YouTube Music.

These figures stack up pretty well against the public numbers we have from some of those companies. Spotify ended 2019 with 124 million subscribers according to its financial results, so if anything, Counterpoint’s numbers might actually be slightly lower. The company hasn’t made its estimates for revenues public, but recently Midia Research suggested that global recorded music revenues grew by 11.4% to $21.5bn in 2019, including $11.9bn of streaming revenues. We’ll continue to await the IFPI’s numbers for the official industry stats, though… | Read article on Counterpoint


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